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Photographer Cy Kuckenbaker’s short film “Everything Twice” combines a slow, handmade analog photography process with his account of learning, after years of testing, that he was born with a rare disease. The report describes the work as a meditation on disability, disconnection and self-discovery; it does not name the disease or provide a release date.
Photographer Cy Kuckenbaker has made “Everything Twice,” a short film that pairs his account of learning he was born with a rare disease with a deliberately slow, handmade approach to analog photography. The project, reported by Colossal, brings together a personal diagnosis and images of West Coast landscapes to examine disability, self-discovery and how people orient themselves in the world.
Kuckenbaker noticed since childhood that one of his eyes drooped, according to Colossal’s report. He initially connected the feature to a snowboarding accident, but doctors dismissed that explanation. After what the report describes as many years and numerous tests, he learned he had been born with a rare disease. The source does not identify the condition or give further medical details.
The film also follows an analog photography practice Kuckenbaker began as a response to burnout. He made cameras from cardboard boxes and drugstore magnifying glasses, then used them to photograph landscapes and other sights on the West Coast. Colossal describes the process as labor-intensive and slow, placing its pace alongside the prolonged process of understanding his condition.
Rather than treating the diagnosis and the photographs as separate subjects, “Everything Twice” connects them through questions of perception and distance. Colossal characterizes the film as a meditation on disability and on “disconnection and loss.” Those descriptions reflect the report’s reading of the work; the supplied material does not include a full synopsis, running time, screening details or a direct statement from Kuckenbaker.
A Personal Diagnosis in the Frame
The project places a personal experience of diagnosis within an artistic process that is itself built around looking. Kuckenbaker’s homemade cameras make photography slower and more hands-on than a typical digital workflow, while the reported history of his diagnosis stretches across years of questions and tests. The parallel gives the film a way to connect the act of making images with the effort to understand one’s body.
For audiences, the subject matters because rare diseases can involve long paths to an explanation, though the source provides no information about how common Kuckenbaker’s specific condition is or what symptoms it causes beyond the eye difference he noticed. The film offers a personal account rather than medical guidance. Its significance, as presented in the report, lies in bringing disability and self-understanding into a visual work without reducing the story to a diagnosis alone.
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From Eye Difference to Film
The sequence described in the report begins in Kuckenbaker’s childhood, when he noticed that one eye drooped. He attributed it to a snowboarding accident, but doctors rejected that explanation. The source says it took many tests and many years before he learned he had been born with a rare disease; it does not give dates for the tests, diagnosis or the start of filming.
Separately, Kuckenbaker turned to analog photography to combat burnout. The cameras were homemade from cardboard boxes and magnifying glasses bought at a drugstore, and the images include West Coast landscapes and other sights. Colossal presents the meeting of these two timelines—the slow photographic work and the drawn-out discovery about his health—as the central structure of “Everything Twice.”
““a quiet meditation on disability and the ways we orient ourselves in the world””
— Colossal’s report on “Everything Twice”
Diagnosis and Release Details
The source material does not name Kuckenbaker’s rare disease, explain its effects, or describe what medical tests led to the diagnosis. It also does not say when he received the diagnosis or how the condition relates medically to the drooping eye. The initial snowboarding explanation is described as Kuckenbaker’s belief, while doctors reportedly dismissed it; no medical records or statements from clinicians are provided.
Details about the film are limited as well. The report does not state its running time, release date, availability, screenings or whether Kuckenbaker has discussed the project in an interview. It is therefore not possible from the supplied information to assess the film’s wider reception or confirm any distribution plans.
Further Film Information Needed
The supplied report does not announce a forthcoming screening, release or other next milestone for “Everything Twice.” Readers seeking to watch the film will need to look for updates from Kuckenbaker or the film’s distributor, if one is named later. Any fuller account of the diagnosis would also require information from the photographer or an appropriate medical source; the current report provides a personal history, not a clinical explanation.
Key Questions
What is “Everything Twice”?
It is a short film by photographer Cy Kuckenbaker that connects his account of learning he was born with a rare disease to a handmade analog photography process.
What rare disease does Kuckenbaker have?
The supplied report does not name the disease or provide enough medical detail to identify it.
How did Kuckenbaker make the photographs?
He used homemade cameras built from cardboard boxes and drugstore magnifying glasses to photograph West Coast landscapes and other sights.
Why did he begin working with analog photography?
Colossal’s report says Kuckenbaker began the slow photographic process to combat burnout. It does not provide further details about when or how he began.
When and where can viewers watch the film?
The supplied source does not give a release date, screening schedule or viewing link, so availability is unclear.
Source: thisiscolossal.com
