Arts

A Hyperallergic review of You Can See Everything argues that Nathan Fielder’s involvement complicates its documentary claim.

“Lastlight | The Dawn Room” — see it live. Some rooms are…

Hyperallergic editor-in-chief Hakim Bishara’s essay links France’s student protests and the art world’s wealth to class inequality.

Artists and cultural workers marched in Paris as protests continued across France. Arrests and crowd estimates remain subject to reporting.

Protests, fires and a brief lockdown disrupted Paris as art fairs opened, while Art Basel Paris and other events faced an unsettled week.

Rohingya artist Enayet Khan and legal advocates describe how refugee artwork can document violence and support efforts to establish accountability.

A Hyperallergic review of Isaac Butler’s 2026 book draws parallels between the 1980s culture wars and current pressure on U.S. arts institutions.

A Marc Straus Gallery exhibition of 18 artists over 75 asks how age, recognition and market success shape the idea of an artist’s prime.

Turiya Adkins, Timothy Yanick Hunter and Clifford Prince King will take part in the Studio Museum’s yearlong 2026–27 residency in Harlem.

Painter John Griswold has created several custom pieces for Phoebe Bridgers, including the vintage Gibson guitar shown on The Tonight Show.