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Hyperallergic’s In Memoriam report honors Austrian artist Ingrid Wiener, British photojournalist Ian Berry and Canadian poster designer Bob Masse, all listed as having died in 2026. Their work included experimental tapestries, images documenting apartheid-era South Africa and posters for musicians, films and television.
Hyperallergic has published an In Memoriam report honoring Austrian artist Ingrid Wiener, British photojournalist Ian Berry and Canadian poster designer Bob Masse, each listed as having died in 2026. Their careers connected experimental art, documentary photography and popular visual culture, including work on apartheid-era South Africa, concert posters and film imagery.
Wiener, listed as 1942–2026, was associated with the Viennese Actionism movement of the 1960s and ’70s. Hyperallergic describes her tapestries as bringing together photography, painting, collage and text, with results that could be documentary, abstract or surreal. She also collaborated with artists including Valie Export and Dieter Roth and worked in film.
Berry, listed as 1934–2026, worked as a photojournalist for the Daily Mail and Drum magazine and was a member of Magnum Photos. The report highlights his photographs of apartheid in South Africa, including the Sharpeville massacre of 1960. Hyperallergic says police killed 69 people and wounded 178 at the peaceful protest. Berry received awards from organizations including British Press Pictures, the Art Directors Club of New York and the National Press Photographers Association.
Masse, listed as 1945–2026, began designing posters in the 1960s. His clients included performers such as Neil Young, Tori Amos and the Smashing Pumpkins. His work also reached film and television, including a poster for Back to the Future Part III and designs associated with Teenage Mutant Ninja Turtles.
Three Careers Across Art and Media
The three careers show how visual art can reach people through very different settings: gallery and collaborative practice, news photography and imagery made for concerts, movies and television. Remembering them together places work often encountered outside museums—such as Masse’s posters and Berry’s press photographs—alongside Wiener’s experimental art.
Berry’s photographs also carry historical significance because they documented events under apartheid, including a protest and its deadly suppression. The report’s account of Sharpeville links the remembrance to a specific episode in South Africa’s history, rather than treating photojournalism as only a record of individual images.
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The Work Behind Their Names
Hyperallergic publishes its In Memoriam feature on Wednesdays to honor people recently lost in the art world. The supplied report also remembers sculptor and public artist Scott Froschauer, Italian photojournalist Umberto Pizzi and Nashville watercolorist Phil Ponder; its focus includes several distinct ways artists document or shape public life.
In that wider list, Wiener’s tapestries combine multiple media, while Berry’s photographs appeared in the setting of journalism and Masse’s designs circulated through entertainment. The report notes that Masse’s poster work began in the 1960s, the same broad era in which Wiener was associated with Viennese Actionism.
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Details Not Included in the Report
The supplied report gives years of birth and death but does not provide specific dates of death, causes of death, or further biographical details about the circumstances. It also does not identify the source for each death notice or include statements from family members, representatives or colleagues.
The article describes selected works and career milestones, not full catalogues of the three artists’ output. Further information about memorial events, estate arrangements or planned retrospectives is not provided in the material available here.
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Further Tributes and Records
The published remembrance records selected contributions from Wiener, Berry and Masse; the source material does not announce a memorial service, exhibition or other scheduled event. Readers seeking additional detail will need to look for subsequent statements from families, galleries, archives or professional organizations.
Further tributes or institutional notices may add dates, personal accounts and information about where the artists’ work can be viewed or studied. Until such details are published, the confirmed account remains the biographical summary in Hyperallergic’s In Memoriam report.
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Key Questions
Who are the three people remembered in the report?
The report honors Ingrid Wiener, an Austrian artist; Ian Berry, a British photojournalist; and Bob Masse, a Canadian poster designer. It lists each as having died in 2026.
What was Ingrid Wiener known for?
Wiener was associated with Viennese Actionism and made tapestries combining photography, painting, collage and text. Hyperallergic also notes her collaborations with Valie Export and Dieter Roth and her work in film.
What did Ian Berry photograph in South Africa?
Berry documented apartheid-era South Africa, including the Sharpeville massacre in 1960. Hyperallergic reports that police killed 69 people and wounded 178 at the peaceful protest.
Which musicians and entertainment projects did Bob Masse design for?
The report names Neil Young, Tori Amos and the Smashing Pumpkins among the performers for whom Masse designed concert posters. It also cites a poster for Back to the Future Part III and work associated with Teenage Mutant Ninja Turtles.
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