ÁLvaro Urbano Honors The Lost Specimens Of Mexico City’s Iconic Casa Cueva

Álvaro Urbano’s Museo Jumex exhibition Helen turns plant illustrations from Helen Fowler O’Gorman’s 1961 book into suspended metal sculptures.

David Reed Went Where Lichtenstein Wouldn’t

At Rodder in New York, David Reed’s paintings and drawings from 2013–26 explore optical effects and influences beyond Roy Lichtenstein.

Gowanus Open Studios Turns 30

More than 100 sites took part in the 30th Gowanus Open Studios, where artists reflected on the Brooklyn neighborhood’s changing waterfront.

Beer With A Painter: Melissa Brown

In a Hyperallergic interview, Brooklyn artist Melissa Brown discusses how layered techniques, city encounters and art history shape her paintings.

Hundreds Protest In Colombia After Far-Right President Removes Works From National Museum

Hundreds protested in Bogotá after about 30 works on political violence, LGBTQ+ and women’s rights, and peace were removed from Colombia’s National Museum.

Diaries Of A Primitive Man

Hyperallergic editor Hakim Bishara’s essay links a Manhattan museum visit to questions of Indigenous land, privilege and museum collections.

Steal This: The Light-Island Technique Behind “Noctambule — Paris on foot, 01:00–05:00”

An AI-built night walk through an imagined Paris uses pools of lamplight, code-made rain, and a warm bakery window to make darkness part of the story.

Echolocation reveal masking: A Look Inside “Station Chiroptera — Read the Dark by Echo” (FABLE/175)

“Station Chiroptera — Read the Dark by Echo” — see it live.…

Tanya Merrill’s Animal Instinct

Tanya Merrill’s 303 Gallery exhibition, Land animal, house animal, features oil-and-graphite paintings shaped by a move upstate and new motherhood.

Artavazd Pelechian’s Distant Connections

The New York Film Festival’s Pelechian Project presented eight restored works by Armenian filmmaker Artavazd Pelechian.